Bjarne Melgaard

Produced in collaboration with Acute Art

Bjarne Melgaard’s first virtual reality artwork ‘My Trip’ takes the viewer on a journey to the farthest reaches of the dark web. In 2020, Melgaard’s AR project launched with characters and motifs from his wider oeuvre, which reference a multitude of current and historical affairs.

Meet the artist

Dazed and Bjarne Melgaard in conversation about Art, Tech and Unreal City

Exhibitions

Augmented Reality

2022
AR.Trail, National Gallery Victoria (Melbourne), Australia (Group exhibition) 
Kaleidoscope Eyes, Leeum Museum of Art (Seoul), South Korea (Group exhibition) 
Kaleidoscope Eyes, Ho-Am Museum of Art (Yongin), South Korea (Group exhibition)

2021
The Looking Glass, The Shed (NY), USA (Group exhibition)

2020
Unreal City, Southbank, London (Group exhibition)

Virtual Reality

2023
Outernet Arts, London
British Film Institute, London

2020
Frieze New York Viewing Room, (Online/Worldwide)
New Frontier Exhibitions at Sundance Film Festival, Utah

2019
Julia Stoschek Collection, Berlin 

Behind the scenes

  • Bjarne Melgaard

    • My Trip 2023
      2023, Immersive multi-screen installation
      Commissioned by LFF Expanded and Outernet Arts, produced by Acute Art

    Bjarne Melgaard’s artwork takes the viewer on a journey to the furthest reaches of the web and explores the apathy that our technological environments engender. My Trip 2023 features characters that have recurred in the artist’s practice for over 25 years, in addition to new mutant personalities created in collaboration with Acute Art. This artwork, presented as a fully immersive multi-screen installation at partner venue Outernet, questions how we choose to live – exploring the never-ending flow of information that is consumed daily through a striking visualisation of a psychedelic experience.

    • AR series
      2020, Augmented Reality

      Cheese Man

      Lightbulb Man

      Lightbulb Man dressed as Les Sapeurs

      Devil Man

      Octo with Ostrich Egg

    Bjarne Melgaard’s AR project uses characters and motifs from his wider oeuvre, which reference a multitude of current and historical affairs; from the colonisation of The Democratic Republic of the Congo in Central Africa, to the international influence of Big Tech, as well as the recent removal of colonial statues in Europe and the USA.

    • My Trip
      2019, Virtual Reality
      12:30 Mins

    Bjarne Melgaard’s virtual reality artwork takes the viewer on a journey to the farthest reaches of the dark web. Melgaard compares the experience to taking Dimethyltryptamine (DMT), a naturally occurring drug, which is produced by a gland in the brain. DMT is considered the strongest hallucinogenic chemical substance and is found in almost every living organism on earth.

    Melgaard’s work is influenced by authors Stig Sæterbakken, David Benetar and Paul Ehrlich; The Sofa: A Moral Tale, a 1742 libertine novel by Claude Prosper Jolyot de Crébillon; and, Black Metal band, Darkthrone. Featuring characters that have recurred in the artist’s practice for over 25 years, including Lightbulb Man and Octo, in addition to new mutants and personalities created in collaboration with Acute Art, My Trip is a strikingly stimulating visualisation of the illusions of a DMT experience.

    Beginning with the idea of suicide as an existential question, new psychedelia, and the loss of the self within a DMT trip, this work asks questions regarding life and how we choose to live it whilst introducing Melgaard’s perspective on Anti-Natalism and over-population. The artist is raising the contradictory view that if we are to continue to exist, humans will have to cease to procreate, as a result of the carbon impact of producing new human life.

    My Trip also explores the abyss of the technological underground, the endless information consumed every day and the feeling of apathy and dullness that this technology consequently produces.

    The work is accompanied by a soundtrack created specifically for My Trip by Melgaard’s long-time collaborator Romina Cohn.

  • Bjarne Melgaard was born in Sydney, Australia to Norwegian parents in 1967. He gained recognition in 2000 for being the ‘bad-boy’ of contemporary art, as his work, often sexually explicit, has explored provocative subcultures including heavy metal music, drug addiction and S&M. His first ever solo exhibition in New York in 2000 featured live chihuahuas in baby clothes and sculptures of apes engaged in explicit sexual acts. His most notorious works are also his most controversial. His exhibition, ‘Ignorant Transparencies’ at Gavin Brown’s enterprise, New York, in 2013, included a giant crack-smoking Pink Panther, covered in globs of psychedelic coloured paint, described as Melgaard’s alter ego.

    Melgaard has exhibited extensively internationally, including solo exhibitions at Institute of Contemporary Arts (ICA), London (2012) and Astrup Fearnley Museum of Modern Art, Oslo (2010). He has also participated in the Venice (2011), Lyon (2013) and Whitney (2014) Biennials. In addition to his visual art practice, Melgaard is a prolific curator, writer, film producer and fashion designer. Melgaard lives and works in Oslo, Norway.

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